One Equals One 2

(Albert Barnitz, center, shortly after the fight near Fort Wallace, Kansas, June 26, 1867)
For a few moments, the four of us in the car simply stared at this otherwise unremarkable and silent piece of ground. It seemed so strange. Where such drama and excitement has occurred, no matter how long ago, it seems that something should remain; something to illustrate the tremendous energy and emotion let loose that day. A static stone monument simply doesn't cut it for me; for my money, give me a series of colored lasers slicing into the heavens; that suits me for such a place.
"So, this is where the Indians were," asked Deb excitedly, genuinely trying to understand the situation. Don also shifted in his seat to gain a better view. When Cecil had answered, Deb seemed puzzled. "Then the Indians just flat charged forward . . . like Hollywood?"
"According to the accounts, that's the way it happened," nodded Cecil.
"And so what did the soldiers do?" asked Don.
"Well, as you can imagine," said our host, "at this point Barnitz and his men knew that they were in big trouble."
At a glance, we could take in the horror. This was a battle in which the lay of the land had virtually no role in the outcome. There were no gulches or gullies for ambush; there was no high ground to hold and fire from. There were no rocks, no trees, not even any bushes. No, it was simply fight and win or . . . lose and die.
Of course, there was also no time to think. Barnitz and his startled company, with Indians swarming in, over, around, and through them, did the only thing they could. . . . they ran. And thereupon began a desperate, running, hand-to-hand fight for the next two miles. Several times in the long race back to the fort, Barnitz succeeded in halting a number of his men to keep the Indians off his backside. Mostly, the attempts were unsuccessful.
When both reds and whites were too close to fire their weapons, they slashed and hacked at each other as they raced south. Flashing sabers were met by lance thrusts; clubbed pistols were countered by tomahawks. Blood flew in every direction as hideous wounds were opened in both man and beast. Wild screams from Indians, soldiers and dying animals shattered the dust-filled air.
One Cheyenne brave drew up beside Barnitz and began firing from under his pony's neck. Out of ammunition, the captain could do little more than point his pistol at the acrobatic figure, thereby forcing the Indian's shots to go wide. Charles Clarke fell wounded from his horse. Before the bugler could remount, a powerful warrior galloped up, jerked Clarke over his lap, stripped off his clothes, dashed out his brains with a tomahawk, then flung the corpse to the ground, and all the while flying at full speed over the prairie. In a blink, Sergeant Frederick Wyllyams was likewise surrounded, shot full of arrows, then horribly mutilated.
Finally, a rescue force from the fort reached Barnitz's pressed little band and the Cheyenne eventually withdrew to a nearby ridge.
Thus ended, to put it mildly, a very eventful morning at Fort Wallace, Kansas, in June of 1867. As luck would have it, a photographer happened to be at the post that day and as we followed Barnitz's retreat back down through the village of Wallace toward the museum along US 24, I thought in particular of one photo he took that very afternoon. The image is that of Albert Barnitz and several others sitting outside a canvass-covered shack. The sign above the door reads "Adjutant's Office." Normally, this photo would be a nice and valuable, but not especially compelling, image of nineteenth-century Americana. What makes this shot so startling is that it was snapped shortly after Barnitz was engaged in a fight for his very life; a struggle so sharp and terrible that upon capture, a bullet or arrow to the brain would have been the least of a soldier's troubles. Veteran of many a battle as he was, the captain's apparent indifference as he lounges in the chair is almost breathtaking; he seems as concerned as any man might be who is about to have a haircut and shave. The same could be said for those around him. In our modern day and age, when people must have weeks, months, even years, of counseling and therapy if they even SEE a violent event, Barnitz's steely indifference is stunning. Either we have become terribly weak, or our ancestors were wonderfully strong.
Reaching the museum, we at last stepped from the car. Cecil wanted to take us inside the old stage station (left). This simple wooden structure had been moved here from its original site and we did, indeed, want to view the inside of this historic building that was the cause of the battle in the first place.
The air out here at 4000 feet is much thinner than back in Topeka (900 feet) and I noticed that both Deb and Don, like myself, were reaching a bit for the scarce oxygen. Our Western guide seemed not troubled in the least; seemed much more capable than his lowland brothers and sister as he sauntered into the museum to fetch the key. I also noticed that the ferocious wind didn't bother Cecil one jot.
As we stood there waiting for our host to return (it was far too windy to talk), knowing that in a few minutes Deb and I would jump back in the car and begin our four hundred mile trip back to Topeka, I thought about several items I had seen during the research of my book on the Indian Wars, Scalp Dance. Almost as laid back in his writing style after the fight as he had been in the photo, Barnitz described the incident in a long letter to his wife, Jennie. Curiously, the captain had ended the missive by putting a remarkably positive spin on an otherwise bloody affray.
"[T]he Cheyennes had paid dearly in the encounter, and so they were not eager to renew the onset," closed the husband.
As Barnitz knew only too well, the Cheyenne were not the only ones reluctant to "renew the onset." With six dead and as many wounded (Indian losses may have been less), Barnitz, his company, the Seventh Cavalry, indeed, the entire frontier army, had learned a bloody, though valuable, lesson here at Fort Wallace.
"The savages displayed unlooked for daring," admitted a stunned reporter for Harper's Weekly newspaper.
Another civilian witness was even more frank.
"The Indians. . . are more than a match for our cavalry," announced a reporter for the Leavenworth Daily Times. "The idea industriously proclaimed by some persons [in the] East . . . that 'one white soldier is equal to fifty or one hundred Indians' is about 'played out' with all parties at this fort."
Indeed, after this short, sharp fight at Fort Wallace, never again would the boast be heard on the plains that one cavalryman equaled ten, fifty or a hundred Indians. Instead, the U. S. military now fully understood that in the terrible fight to come, one equaled one . . . maybe.
______________________________________________________________
Remember?
Although Yancy Derringer was only a one-year wonder (1958-59), it left a lasting impression on millions.
Each Thursday evening, wedged between the Edsel and Burma Shave commercials, card shark Yancy (left, played by Jock Mahoney) fleeced the sheep, wooed the belles, and sent to the promised land all wrong-doers who stepped over the line. Yancy's weapon of choice? The shotgun? (yeah, right!). An added attraction was Derringer's Indian statue, Pahoo-Ka-Ta-Wah (right), played by some mute fellow named X-Brands (no foolin'). When Yancy needed a thug, crook or sharper tossed from the Texas deck, Pahoo was happy to oblige. In sum, it was a fun half-hour of glitz and glory with a beautiful theme song tossed in for good measure. Listen: http://www.turnipnet.com/tv/yancyderringer.wav
______________________________________________________________
Cartoon of the Day

For a few moments, the four of us in the car simply stared at this otherwise unremarkable and silent piece of ground. It seemed so strange. Where such drama and excitement has occurred, no matter how long ago, it seems that something should remain; something to illustrate the tremendous energy and emotion let loose that day. A static stone monument simply doesn't cut it for me; for my money, give me a series of colored lasers slicing into the heavens; that suits me for such a place.
"So, this is where the Indians were," asked Deb excitedly, genuinely trying to understand the situation. Don also shifted in his seat to gain a better view. When Cecil had answered, Deb seemed puzzled. "Then the Indians just flat charged forward . . . like Hollywood?"
"According to the accounts, that's the way it happened," nodded Cecil.
"And so what did the soldiers do?" asked Don.
"Well, as you can imagine," said our host, "at this point Barnitz and his men knew that they were in big trouble."
At a glance, we could take in the horror. This was a battle in which the lay of the land had virtually no role in the outcome. There were no gulches or gullies for ambush; there was no high ground to hold and fire from. There were no rocks, no trees, not even any bushes. No, it was simply fight and win or . . . lose and die.
Of course, there was also no time to think. Barnitz and his startled company, with Indians swarming in, over, around, and through them, did the only thing they could. . . . they ran. And thereupon began a desperate, running, hand-to-hand fight for the next two miles. Several times in the long race back to the fort, Barnitz succeeded in halting a number of his men to keep the Indians off his backside. Mostly, the attempts were unsuccessful.
When both reds and whites were too close to fire their weapons, they slashed and hacked at each other as they raced south. Flashing sabers were met by lance thrusts; clubbed pistols were countered by tomahawks. Blood flew in every direction as hideous wounds were opened in both man and beast. Wild screams from Indians, soldiers and dying animals shattered the dust-filled air.One Cheyenne brave drew up beside Barnitz and began firing from under his pony's neck. Out of ammunition, the captain could do little more than point his pistol at the acrobatic figure, thereby forcing the Indian's shots to go wide. Charles Clarke fell wounded from his horse. Before the bugler could remount, a powerful warrior galloped up, jerked Clarke over his lap, stripped off his clothes, dashed out his brains with a tomahawk, then flung the corpse to the ground, and all the while flying at full speed over the prairie. In a blink, Sergeant Frederick Wyllyams was likewise surrounded, shot full of arrows, then horribly mutilated.
Finally, a rescue force from the fort reached Barnitz's pressed little band and the Cheyenne eventually withdrew to a nearby ridge.
Thus ended, to put it mildly, a very eventful morning at Fort Wallace, Kansas, in June of 1867. As luck would have it, a photographer happened to be at the post that day and as we followed Barnitz's retreat back down through the village of Wallace toward the museum along US 24, I thought in particular of one photo he took that very afternoon. The image is that of Albert Barnitz and several others sitting outside a canvass-covered shack. The sign above the door reads "Adjutant's Office." Normally, this photo would be a nice and valuable, but not especially compelling, image of nineteenth-century Americana. What makes this shot so startling is that it was snapped shortly after Barnitz was engaged in a fight for his very life; a struggle so sharp and terrible that upon capture, a bullet or arrow to the brain would have been the least of a soldier's troubles. Veteran of many a battle as he was, the captain's apparent indifference as he lounges in the chair is almost breathtaking; he seems as concerned as any man might be who is about to have a haircut and shave. The same could be said for those around him. In our modern day and age, when people must have weeks, months, even years, of counseling and therapy if they even SEE a violent event, Barnitz's steely indifference is stunning. Either we have become terribly weak, or our ancestors were wonderfully strong.
Reaching the museum, we at last stepped from the car. Cecil wanted to take us inside the old stage station (left). This simple wooden structure had been moved here from its original site and we did, indeed, want to view the inside of this historic building that was the cause of the battle in the first place.The air out here at 4000 feet is much thinner than back in Topeka (900 feet) and I noticed that both Deb and Don, like myself, were reaching a bit for the scarce oxygen. Our Western guide seemed not troubled in the least; seemed much more capable than his lowland brothers and sister as he sauntered into the museum to fetch the key. I also noticed that the ferocious wind didn't bother Cecil one jot.
As we stood there waiting for our host to return (it was far too windy to talk), knowing that in a few minutes Deb and I would jump back in the car and begin our four hundred mile trip back to Topeka, I thought about several items I had seen during the research of my book on the Indian Wars, Scalp Dance. Almost as laid back in his writing style after the fight as he had been in the photo, Barnitz described the incident in a long letter to his wife, Jennie. Curiously, the captain had ended the missive by putting a remarkably positive spin on an otherwise bloody affray.
"[T]he Cheyennes had paid dearly in the encounter, and so they were not eager to renew the onset," closed the husband.
As Barnitz knew only too well, the Cheyenne were not the only ones reluctant to "renew the onset." With six dead and as many wounded (Indian losses may have been less), Barnitz, his company, the Seventh Cavalry, indeed, the entire frontier army, had learned a bloody, though valuable, lesson here at Fort Wallace."The savages displayed unlooked for daring," admitted a stunned reporter for Harper's Weekly newspaper.
Another civilian witness was even more frank.
"The Indians. . . are more than a match for our cavalry," announced a reporter for the Leavenworth Daily Times. "The idea industriously proclaimed by some persons [in the] East . . . that 'one white soldier is equal to fifty or one hundred Indians' is about 'played out' with all parties at this fort."
Indeed, after this short, sharp fight at Fort Wallace, never again would the boast be heard on the plains that one cavalryman equaled ten, fifty or a hundred Indians. Instead, the U. S. military now fully understood that in the terrible fight to come, one equaled one . . . maybe.
______________________________________________________________
Remember?Although Yancy Derringer was only a one-year wonder (1958-59), it left a lasting impression on millions.
Each Thursday evening, wedged between the Edsel and Burma Shave commercials, card shark Yancy (left, played by Jock Mahoney) fleeced the sheep, wooed the belles, and sent to the promised land all wrong-doers who stepped over the line. Yancy's weapon of choice? The shotgun? (yeah, right!). An added attraction was Derringer's Indian statue, Pahoo-Ka-Ta-Wah (right), played by some mute fellow named X-Brands (no foolin'). When Yancy needed a thug, crook or sharper tossed from the Texas deck, Pahoo was happy to oblige. In sum, it was a fun half-hour of glitz and glory with a beautiful theme song tossed in for good measure. Listen: http://www.turnipnet.com/tv/yancyderringer.wav______________________________________________________________
Cartoon of the Day

Labels: 7th Cavalry, Albert Barnitz, Burma Shave, Fort Wallace, Harper's Weekly, Indian battles, mutilations, sea gulls, Yancy Derringer















